It was in 2015 that I started cutting my paintings to create an all-over that gives access to a perspective related to movement.
From 2007 to 2014, I realized a series of paintings on Venice that allowed me to study the perspective and its effects "mirror" in the reflections of the water.
This series has oriented my current work based on the perspective of movement.
Some works prior to 2007 that marked my career.
